5 Seconds of Summer

Leela Ojala

Coming Soon

Brown Queers (2016, ongoing)

Docufiction

2016 | HDV | Colour | Sound | English

A docufiction that follows the lives of three individuals, Krishna Istha, Katy Jalili and Natasha Lal who identify as queer. The work details their feelings and personal expressions as they navigate home and professional lives, and the establishment of non-binary self-definition without apology.

Casting Kanchi

 

To cast Kanchi, Powell & Pressburger conducted a nationwide search. In all, almost 1000 hopefuls applied, with over 200 girls tested and interviewed. The coveted role went to seventeen-year-old Jean Simmons, who had won worldwide acclaim for her performance as Estella in Great Expectations (1946). To fulfil the role, she had to wear dark Panstick make-up and a jewel in her nose to become the “exotic temptress” of Rumer Godden’s novel.

In 2014, Michelle Williams Gamaker recast the role auditioning Indian ex-pat or first-generation British Asian women living in London. Shot on 16mm film, candidates had to introduce themselves to an anonymous reader, recite a personalised alphabet, which include references to the history of photography and gender politics and read lines from a script whilst seated and standing. During the recital, a digital image of the Himalayas appears within a masked out rectangle. It signals the modern medium to which Kanchi will enter in other works in the show.

THE FRUIT IS THERE TO BE EATEN (2017)

Single-channel video installation

2017 | HDV | Colour | Sound | 32" | English

The Fruit is There To Be Eaten is based on the 1947 film Black Narcissus, by British directors Michael Powell and Emeric Pressburger., set in India. The work echoes the style of the source material in that it is set in India, but replaces painted backdrops with back projection, stock footage and revealed sets to reimagine the relationship between lower-caste dancing girl Kanchi and missionary nun Sister Clodagh. In a schoolroom and in the gardens of a Himalayan convent, Kanchi and Clodagh recognise they are trapped in a film set in 2016. With the colonies a distant memory, Clodagh has lost her role as sister superior. This allows Kanchi to introduce her gods in order to challenge an imposed belief system, and in so doing to break down the civility of the colonies into something more carnal.

Video to be requested.